The Three 6 Effect

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     The influence of Three 6 Mafia is at an all time high in terms of cultural relevance. From visual aesthetics to sonic reinterpretations of their music, The Mafia has managed to be “The Most Known Unknowns” for virtually 30 years. It’s a rather surreal and sobering moment for many of the 30 somethings out there that grew up on The Hypnotized Minds. The Tear the Club Thugs pioneered a style and sound that managed to permeate popular culture all while staying true to their underground roots while simultaneously achieving critical acclaim. 

     My earliest recollection of “The Backyard Posse” had to be around 1997 when they attempted “World Domination”. I was sitting at home being a kid, watching “The Box”  when the channel did their periodical most requested videos of the week. It was at that point when I was exposed to “Tear da Club Up 97”. The red tint and fish eyed lens video did enough to captivate me and my friends as we immediately called each other on the phone and ask feverishly if we all saw the same thing at the same time. The legend of the song only grew larger to me once I found out that the song was banned from being played at clubs in the south due to actual destruction of said clubs. To the parents of that generation it was a disgrace, but to the 11 and 12 year olds like us, it was a badge of honor….it was Hip-Hop.

     As The Mafia Six entered the new millennium, they not only upped the ante with their music, but continued to introduce me to other legends like Project Pat, La Chat, Lil Wyte and Frayser Boy. There was absolutely no escaping the sound that DJ Paul and Juicy J created in the early 90’s and the success of the aforementioned acts was proof of that. Project Pat alone had at least back two back Hip-Hop Classics with “Ghetty Green” and “Mista Don’t Play: Everythang’s Workin”. Both of those albums spawned regional and subsequently national notoriety. I truly believe that both of his albums helped plant the seeds of modern day trap music.

     Currently, female rappers owe a great deal of gratitude to Gangsta Boo and La Chat respectively. Rappers like, Meg The Stallion, The City Girls, and Cardi B have been directly influenced by their unabashed lyricism. What was seen as a novelty then, is all the rage now. Although some would even argue that it wasn’t a novelty as many of the male rappers hold Gangsta Boo in high regard to this day. I for one refuse to tell the Three 6 Mafia story without Gangsta Boo and La Chat, it’s virtually impossible.

     2020 looks like it will be the year in which the entire Killa Clan will get their flowers. There are a string of songs that have dropped within the past year that borrow heavily from the entire collective. Acts like A$AP Mob and Raider Kllan who have been 3 6 stalwarts since their inception have been largely responsible for the present day resurgence of appreciation that we are all currently experiencing. It’s a wonderful time to see them get their just due and an even better time to share this with new ears for years to come. ONE TIME FOR THE MAFIA!!

KayFabe and Hip-Hop

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In professional wrestling, kayfabe /ˈkeɪfeɪb/ is the portrayal of staged events within the industry as “real” or “true”, specifically the portrayal of competition, rivalries, and relationships between participants as being genuine and not of a staged or predetermined nature of any kind. Doesn’t that sound familiar? Doesn’t that sound like something that is enjoyed by billions throughout the globe? Yes my friends, I am talking about The Sports Entertainment world known as Hip-Hop. While the culture and essence of Hip-Hop is still very much intact, The advent of “beef for profit’ has been something that  many of the labels have sought after since the first Hip-Hop record was sold.

When Hip-Hop was in its infancy in the late 70’s and Early 80’s, the life blood of the art form was based widely on competition and crew rivalries(Factions). During that time battles took place within the boroughs to see who could lay claim to the proverbial throne. As Hip-Hop fought for acceptance and viability, it wouldn’t be long before labels came calling, seeking to cash in on what would later on become known as manufactured beef.

Much like Wrestling, Hip-Hop is littered with “BabyFaces” and “Heels”.  As early as the 80’s you had your “Face Rappers” like Will Smith and Young MC while “Heel Rappers” could be seen as Ice T and NWA. While the face rappers were radio friendly and safe for mainstream ears, It was the heel rappers that gave Rap its edge and street cred during that time. It was cool to root for NWO and DX…oops I meant NWA and Public Enemy.

On the T.I. track “Tell’em I Said That” he rapped:

Please pay attention to this part of the bull
One time got robbed got shot got shook
Got a job started rhymin’ came up with a hook
Got a chain and some tats came up with a look
Went and made it here
Workin’ talk tough in a book
F*** the image and perception they never tough as they look

This quote from the album “T.I. vs. T.I.P” succinctly describes the current era of  Hip-Hop. The “Image” is what the label heads are trying to sell the consumer on a daily basis as it churns out act after act. In true Kayfabe fashion, many of the artists don’t bother to separate fiction from reality instead they straddle the line. “Am I really this mega rich, doped up superstar?, Or am I just a actor?” Now some may view this as pure conjecture but to the impressionable, try telling them that wrestling…err..um..Rap is fake.

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When the Drake and Meek beef took place, both artists positioned and postured themselves with a story line that seemed like it was ripped straight from the WWE writer room. While Drake used the Titantron…Shucks I meant the OVOFest screen to get at Meek, Meek cut instagram promos like a true mid carder trying to get over and make it to the main roster. Was it good clean fun for those few days that it occurred, sure but how many of us really believed that any kind of real harm would come to either one of them during this spat.

 

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The Lil Wayne and Birdman situation is something I would liken to the “Montreal Screw Job”. Vince McMahon has been billed as a true heel in the industry and the way he treats his artists….I’m sorry I mean wrestlers… is something that is akin to Birdman. Weezy to me is The Brett Hart of the Rap game and was forced to put other rappers over while his own product suffered.

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2017 gave us another WWE like feud…and it even included microphones being tossed on the floor! Again it was mindless fun like an episode of  Raw or Smackdown but for some reason many of us thought there was a legitimate threat of  a real altercation. No Such luck, just more comedic fodder to create memes and music.

In Ending, there is much to love about about both mediums. Both have their merits and adversely both are not without flaw. The gangsters are hyper gangsters while the more gentle rappers are damn near priests on the mic. As the veil of mystery and secrecy has all but dissolved between artist and consumer, it seems to me that the Rap Kayfabe machine has gone into overdrive. We create hashtags out of catchphrases, we walk around in our favorite wrestlers (there I go again) rappers merch, and throw up their gang signs in our pictures. To be clear there is absolutely nothing wrong with having a good time connecting with our favorite artist but we must always remember to take a step back and see it for what it truly is…..Music Entertainment.