Those Flippin’ Samples

     Sampling is the life blood of Hip-Hop music in its entirety. It is very literally the foundation of the art form as a whole. An art form based on deconstructing conventional music making methods. Since its inception in the early 70’s, The “break beats” from popular funk and soul records of the day, provided the soundbed for what we know as “Rap” music. What once began as simple loops for the MC’s to rock a party, it quickly gave way to more advanced techniques as time and skills of the MC’s and DJ’s/Producers progressed.

     As defined by various sources, “Sampling” In music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds, or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware (samplers) or software such as digital audio workstations. Many if not all producers in Hip-Hop use the technique as a form of self expression, oftentimes speaking through the music itself based on the part(s) that are used.

     Hip-Hop titans such as J Dilla, Alchemist, Stress, Heatmakerz, Just Blaze and Madlib have all become legends by continuously finding new and innovative ways to sample music. I often took much joy in trying to figure out just what was on their mind when creating. I’ve spent countless hours looking up the original compositions that inspired them. It became a game to me and it would often leave me astonished when I discovered the sample. Most times it would take me listening to a song at random and immediately recognizing who interpolated it. It’s truly an exhilarating experience.

     As we all continue to venture on into the future, I anxiously await new rap projects to sink my teeth into and absorb. I’m listening to see where many of the modern day Miles Davis and John Coltranes of Hip-Hop are going to take the artform. A lot of the younger producers have begun to sample tracks from the 90s and early 2000s and that makes me even more happy because that lets me know that sampling will never die. The possibilities are truly endless.