Billionaire Burke- Clear The Air (Album Review)

clear the air

     In these times of civil and global unrest, music, now more than ever, is playing a vital role in what has become our “ new normal”. In the past three months, the live experience has all but become an antiquated practice as millions of avid music listeners were quarantined in their homes. Many artists managed to navigate through these unparalleled times by heading to their places of solace…the studio. New York’s own Billionaire Burke is one such artist. He decided to channel that energy and head back into the studio to create a soundscape, a soundtrack that would set the tone for the coming months as cities and towns across the country begin to open.

       A little under a year has passed since Burke blessed us with his “Rise To Greatness”, so i’ll be the first to admit that his new project “Clear The Air” caught me by surprise. In these times however, visibility has become increasingly important so it was also a delight to see that there was new music from Burke to digest. The opening track “Dead Game” immediately sets the tone with its sparse instrumental and an airy but menacing vocal performance. The ad libs echo in and out after each bar and it becomes apparent that Billionaire was to truly clear the air and put the world on notice…We remember his name.

     The next two tracks “Whg5pty” and “Belly (Boom)” flow together so seamlessly that I didn’t realize I had n’t gotten past track three for about 30 minutes. Track 2 is that kind of song that will elicit a definite call and response if it is ever performed in a live setting. The grime-influenced beat will also be a sure fire winner as this song gains more traction in and around the city. Track is just flat out fun to me. Being socially distant will be hard when this comes on trust me on that.

     “Drill Sh*t” switches the tempo slightly as it sounds like Mid-00s East coast rap. I can appreciate the juxtaposition between current slang with the sound from a different time, upon first listen you wouldn’t think it would work but it does. “In My Bag” returns to the sound from the first three tracks and it’s a welcome sound and it allows the listener to understand why “Drill Sh*t” is in the middle of the project. To an average listener it may not mean much but to me and people like me, that attention to detail is greatly appreciated.

     The project closes out with “Broke Nightmares” and “Donkey Kong” respectively. Both songs offer a glimpse into Burke’s true motivations and his steadfast refusal to fail. The energy of the project is evident throughout its entirety and can be viewed as a supplementary addition to “Rise To Greatness” or as a standalone project that can easily hold its own weight. Billionaire Burke has delivered a quality project that has tons of replay value. Even with its 20 minute runtime, “Clear The Air” still feels complete. I’m normally a stickler for project length but if there is one thing that this pandemic has taught me, is that sometimes, less is more.

AllstarrDaGreat’s “Randy Foye”

             artworks-zUziPzg2GPJwbFL1-prLoag-t500x500 

     With the novel coronavirus “Covid-19” leaving sports nation and worldwide in shambles for the past three months, it comes as no surprise that many sports fans have found alternative methods to past the time. Some have turned to gaming online, others competitive bingo, while others like Newark, New Jersey’s own AllstarDaGreat (ADG for short) turned that competitive fervor into song form with “Randy Foye”, An ode to the retired NBA star who is also a Newark native. At first listen you may think that the song only pays him name a drop or that the hook would be a repetitive slosh of cliche metaphors, But as you delve deeper into the track you’ll see that is much more that ADG has in store for your ears.

     Randy Foye was born on September 24, 1983 and attended East Side High School. It was here where he would be selected as New Jersey Player of the Year and subsequently recruited by Villanova. While there he would go on to have an extremely productive collegiate career.

Upon entering the NBA in 2006 Foye would be selected seventh overall by the Boston Celtics before landing finally with the Minnesota Timberwolves. Foye would finish his career with the Brooklyn Nets in the 2016-2017 season.

     As one of the standout tracks from ADG’s phenomenal album “Godspeed”, it was made clear from the opening that the in-game audio of a game in which Randy Foye was the focal point of an offense that ultimately resulted in a game winning shot, displayed parallels between art and life.During the track he weaves in and out of the beat with metaphors that drew a parallel between his and Randy’s life artistically. Hailing from the same area, it’s hard not to see the similarities between both ADG and Randy so it feels like the perfect tandem of art imitating life and vice versa. And in true point guard fashion, ADG dishes the rock to Benny the Butcher for sweet assist that ends the track off powerfully.

     Overall AllstarDaGreat’s has a penchant for great storytelling, internal rhymes schemes, and wordplay that is deceptively great. I caught myself rewinding certain lines to make sure I heard them correctly and to make sure I caught the double entendre. As a tribute, I can’t think of a better track that encapsulates the gritty realism that is Newark, New Jersey and all of the artists and athletes that call the city home. As an actual song, it’s truly one of the better ones that has been released in 2020. And since we still have a few more days if not weeks of Covid-19 quarantine left, it wouldn’t hurt to give “Godspeed” the album a spin, you’ll be pleased with the outcome I can assure you.

 

 

 

Drake’s Demos

Drake-album-768x432

 

May 1st at 12:00am Eastern Time,Drake and his team over at OVO  came through with a 14 track “project” known as  “Dark Lane Demo Tapes”.  At first glance some may be led to believe to that this more of  we got on “More Life” but instead its feels more like an enhanced  version of  “Care Package” Not to say that these are entirely bad songs, in fact much of it is unreleased or “leaked” tracks and a “few new vibes” as he tells it. Essentially these are tracks would otherwise be seen as B-sides.  A primer to set us up for whats to come in the coming months as we head toward the half way point of  2020.  I think we can safely call Dark Lane a mixtape without people screaming at us. But as Drake once said, “Dropped the mixtape, the sh*t sounded like an album.

This wasn’t the only piece of content that Drake and co. laid on us today. Along with this project, He made an announcement that an album is very much in the works and should be out this summer. Considering that it’ll be a full 2 years since 2018’s “Scorpion”, it seems as if Drake may be turning his October Gang membership in lieu of summer time dominance. I’m sure the coming weeks will bring us much more information in terms of track listings and an album title.  I am definitely looking forward to a official release from OVO’s head honcho because this appetizer didn’t do much in terms of whetting my palette. Here’s hoping the “new ting” is something innovative and not more of the same old Drake being on cruise control.

Ja v. 50…The Best Battle Yet?

ja-rule-50-cent-beef

 

In one the strangest turn of events, it appears that Ja Rule wants to get in on all of the “VERZUZ” battles. Sunday while on a Instagram live chat with Fat Joe,  Mr. Atkins all but confirmed that he is willing to go “Hit for Hit” against the once equally dominant 50 Cent. I’m quite sure that this is a play to garner much needed attention for Ja’s charity work which while commendable, makes you wonder what his true intentions are. He even went as far to insist that he would “behave” and that his love for the culture of Hip-Hop would ensure that this would indeed be a friendly competition. Swizz Beatz has every right to be leary given 50 and Ja’s storied past which easily surpassed 20 years at this point.

The tale of the tape does not favor either of them at the moment as both had an equal stronghold on the game albeit at separate times in their careers. Some may even go as far to say that 50 actually ended Ja Rule career and spent the early part of his career ensuring that would be the case. At one point both artists were Hip-Hop titans in their own right with their own respective crews. As a fan of Hip-Hop it always bothered me that the two could never truly mend their differences and create music together. Here’s hoping that 50 accepts the challenge and that this could truly be the beginning of a reconciliation for the two icons of rap. The culture would be much better for it.

The New Tory?

The New Tory

 

Tory Lanez is a now a free man! With the release of his latest project, “The New Toronto 3” Tory has now fulfilled all contractual obligations to Interscope Records. It seems that “5” was the magic number in this sense, meaning that was the number of albums or projects that was needed to be released  from his deal. What normally takes artists of his caliber damn near their entire career, literally took Tory four short years to complete. In that time span he managed to build his already burgeoning following organically which resulted in a steady and sustainable fan base that will serve will well with future releases.

The question remains however, what will Tory do with this new lease on musical output? In recent months past, he became increasing vocal about label issues and not having full control over his concepts which stifled his creativity. His loudest declaration came just four months ago with the release of “Chixtape 5”. With that drop he stated that “this was the closest he’s been able to give”. Meaning that from the inception to release, he felt he was able to keep a modicum of creative control and felt at peace with the project somewhat.  Now that Tory is a free agent with complete and total creative control of his music from this point on, I wonder what he has in store for his fans and critics alike. Enjoy The New Toronto 3!

The Purple Tape

Image result for purple cassette tape

 Now I know what some of you are thinking…”The Purple Tape” is only Built for Cuban Links.  Those three words are reserved for Raekwon The Chef, Ghostface Killah and any other Wu affiliates that may have been features on his classic debut album. However, if you’re a music nerd like myself and are reading this, then I would hope that you understand that there is another connotation that is associated with the color purple. The moment you press play it will become abundantly clear that The Purple Tape is an ode to the “Chopped and Screwed” subculture of Hip-Hop.

     Since the early 1990’s Robert Earl Davis Jr. best known as “DJ Screw” pioneered the technique of slowing down the tempo of popular hip-hop songs of the time. He achieved this sound by slowing tracks to 60 and 70 quarter note beats per minute. Once the optimal tempo was reached, he would then begin to apply record scratching, and stop-time effects. This would become known nationally as “Chopping” or “Screwed Up Music”. DJ Screw single-handedly created a genre and a legacy that lives on till this day.

     After his initial creation, other DJ’s in the Houston area would soon adopt the style and created their own chopped versions of songs throughout the region.  DJ Michael “5000” Watts emerged with his Swishahouse team along with OG Ron C with The Chopstars. Together Michael Watts and Ron C would form Swishahouse records and launch the careers of artists like Chamillionaire, Mike Jones, Paul Wall, Slim Thug. Still on the Southside of Houston, DJ Screw had “The Screwed Up Click”, a collective which included the likes of Lil Keke, Trae Tha Truth, Z-Ro, Big Moe, Fat Pat, Big Pokey, Big Hawk, Big Mello and a few others.

     The three DJ’s would continue to cultivate the sound until DJ Screw’s untimely death in November 16th, 2000. Since then, the sound created by Screw has managed to reach national appeal while still maintaining its sub genre classification. Unfortunately the dark side of the music is the forefront of the drug epidemic that is currently plaguing the country. The abuse has reached critical mass in the past 5 years with the death of other Hip-Hop artists, Most notably Pimp C, Big Moe and Fredo Santana. Admittedly these deaths were not entirely related to the drug but its use did contribute. Another notable artist Lil Wayne who openly discussed the drug in his music was reportedly hospitalized for seizures after repeated Drank abuse.

      Ironically DJ Screw himself denounced the use of Drank as it was not the ingredient that helped him to create the sound. It was merely a recreational vice that grew in popularity at the same time as the music. In ending, the legacy that DJ Screw left continues to be upheld by the aforementioned Chop DJ’s and a host of others throughout the country. November 16th will mark the 20th anniversary of DJ Screw’s death and I have no doubts that there will be a major celebration in Houston, Texas and throughout the world. Long Live DJ Screw, Long Live Chopped and Screwed Music…NahImsayin?!

The Three 6 Effect

Related image

 

     The influence of Three 6 Mafia is at an all time high in terms of cultural relevance. From visual aesthetics to sonic reinterpretations of their music, The Mafia has managed to be “The Most Known Unknowns” for virtually 30 years. It’s a rather surreal and sobering moment for many of the 30 somethings out there that grew up on The Hypnotized Minds. The Tear the Club Thugs pioneered a style and sound that managed to permeate popular culture all while staying true to their underground roots while simultaneously achieving critical acclaim. 

     My earliest recollection of “The Backyard Posse” had to be around 1997 when they attempted “World Domination”. I was sitting at home being a kid, watching “The Box”  when the channel did their periodical most requested videos of the week. It was at that point when I was exposed to “Tear da Club Up 97”. The red tint and fish eyed lens video did enough to captivate me and my friends as we immediately called each other on the phone and ask feverishly if we all saw the same thing at the same time. The legend of the song only grew larger to me once I found out that the song was banned from being played at clubs in the south due to actual destruction of said clubs. To the parents of that generation it was a disgrace, but to the 11 and 12 year olds like us, it was a badge of honor….it was Hip-Hop.

     As The Mafia Six entered the new millennium, they not only upped the ante with their music, but continued to introduce me to other legends like Project Pat, La Chat, Lil Wyte and Frayser Boy. There was absolutely no escaping the sound that DJ Paul and Juicy J created in the early 90’s and the success of the aforementioned acts was proof of that. Project Pat alone had at least back two back Hip-Hop Classics with “Ghetty Green” and “Mista Don’t Play: Everythang’s Workin”. Both of those albums spawned regional and subsequently national notoriety. I truly believe that both of his albums helped plant the seeds of modern day trap music.

     Currently, female rappers owe a great deal of gratitude to Gangsta Boo and La Chat respectively. Rappers like, Meg The Stallion, The City Girls, and Cardi B have been directly influenced by their unabashed lyricism. What was seen as a novelty then, is all the rage now. Although some would even argue that it wasn’t a novelty as many of the male rappers hold Gangsta Boo in high regard to this day. I for one refuse to tell the Three 6 Mafia story without Gangsta Boo and La Chat, it’s virtually impossible.

     2020 looks like it will be the year in which the entire Killa Clan will get their flowers. There are a string of songs that have dropped within the past year that borrow heavily from the entire collective. Acts like A$AP Mob and Raider Kllan who have been 3 6 stalwarts since their inception have been largely responsible for the present day resurgence of appreciation that we are all currently experiencing. It’s a wonderful time to see them get their just due and an even better time to share this with new ears for years to come. ONE TIME FOR THE MAFIA!!